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Each of the three large peacocks (mor) set into the walls of the seventeenth-century Mor Chowk, placed there by Sajjan Singh two hundred years after the palace was built, is composed of 5000 pieces of glass, glittering in green, gold and blue. The pillared apartments that face Mor Chowk are adorned with scenes from Krishna legends, a favourite theme of the paintings in the Zenana Mahal, the women's quarters.
With alcoves,
balconies, coloured windows, tiled walls and floors, these are the most splendid
rooms in the palace. Other chambers include Kanchi-ki-Burj , decorated
throughout with a mosaic of mirrors, and Chandra Chowk (Moon Square) which
although right at the top of the palace manages to enclose its own garden - it
rests on the crest of a hill that rises in the heart of the palace. Krishna
Vilas , an apartment full of miniatures, honours a nineteenth-century Udaipur
princess who poisoned herself to avoid the dilemma of choosing a husband from
the two rival households of Jodhpur and Jaipur. |
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